The new lyrics is taken in the Qoelet, the new Bible, the Veda as well as the Upanishad and generally are sung from the Nurla Rial, Letizia Calandra Brumat and Dora Carofiglio.
With this specific record, Roberto Cacciapaglia, by way of contact with the millenary expertise of your own sacred, continues on in the direction of an encounter into deep, in a day and age that is when you look at the constant browse away from regaining definition and centrality. “New fascinating performs of one of one’s top rates off more imaginative musical scene both in Italy and in the world. Acoustic, very important and you will head tunes and that meets all of our attitude as a consequence of tune and you can balance, importante parts of the efforts away from sound throughout the date. An important work and that produces an aggressive relationship anywhere between audience and artist, ranging from inner and you may outer perception thus to-be a ritual commitment”. (Deltadischi.it).
“Tempus Fugit” unites different factors: important and you will acoustic musical, voice and you will digital rhythms, Latin, the fresh new local words your sources and you can English, words of internationally communications. It is a ritual, sacred audio directed into a powerful get in touch with anywhere between audience and you will singer, and you will anywhere between interior and you can exterior perception.
“Tempus Fugit” looks for a contact beyond departments, to share with you an impulsive uncontaminated instant. The will to stray is one of the central features of it performs.
“Tempus Fugit” unites very different elements: instrumental and acoustic musical, voice and you will digital rhythms, Latin, the local code in our roots and you can English, language from internationally interaction. It’s a ritual, sacred audio directed into a profound get in touch with between audience and you can vocalist, and between internal and you may exterior feeling. Continue reading